Posts tagged with “my life”

Posted 2 months ago

(via Literature Pictured Series No 4 - MobyDick Screenprint by erinkendig)

“Oh, grassy glades! oh, ever vernal endless landscapes in the soul; in ye, — though long parched by the dead drought of the earthy life, — in ye, men yet may roll, like young horses in new morning clover; and for some few fleeting moments, feel the cool dew of the life immortal on them. Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life; we do not advance through fixed gradations, and at the last one pause: — through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then scepticism, then disbelief, resting at last in manhood’s pondering repose of If. But once gone through, we trace the round again; and are infants, boys, and men, and Ifs eternally.” [Herman Melville, Moby-Dick, or The Whale, Chapter 114 The Glider] 

Posted 2 months ago
I have never believed in a single truth. Neither my own, nor those of others. I believe all schools, all theories can be useful in some place, at some time. But I have discovered that one can only live by a passionate, and absolute, identification with a point of view.
However, as time goes by, as we change, as the world changes, targets alter and the viewpoint shifts. Looking back over many years of essays written, ideas spoken in many places on so many varied occasions, one thing strikes me as being consistent. For a point of view to be of any use at all one must commit oneself totally to it, one must defend it to the very death. Yet, at the same time, there is an inner voice that murmurs: “Don’t take it too seriously. Hold on tight, let go lightly.

Peter Brook, The Shifting Point

These words were once pinned to the cork pinboard in front of my working desk. I had completely forgotten how much this resonated with my entire worldview back then, and how much, for me, this is and has always been accurate and true. Of course. Of course. Of course the answer to the seismic shifts in my life was going to come from the theatre. Of course it is all coming back to me now. Now that everything is shifting around me once again, now that I realise that maybe I have been doing it wrong, maybe striving for stillness in a shifting world is the wrong strategy. Now is the time to let go lightly, so that I can continue to hold on tight. 

Posted 2 months ago

Guido: “What is this flash of joy that’s giving me new life? Please forgive me sweet creatures; I didn’t realize, I didn’t know. How right it is to accept you, to love, you… and how simple! Luisa, I feel I’ve been set free. Everything looks good to me, it has a sense, it’s true. How I wish I could explain, but I can’t… everything’s going back to what it was. Everything’s confused again, but that confusion is me; how I am, not how I’d like to be. And I’m not afraid to tell the truth now, what I don’t know, what I’m seeking. Only like that do I feel alive and I can look into your loyal eyes without shame. Life is a party, let’s live it together. I can’t say anything else, to you or others. Take me as I am, if you can… it’s the only way we can try to find each other.” [click image to play the greatest and most imaginative final scene in the history of cinema]

Posted 5 months ago

Planning my Christmas watchlist: we have traditional offerings of In Bruges on 23rd, Casablanca on 24th, The Godfather Part I on 25th. And from the 26th onwards I’ll be re-watching the original TV cut of Fanny and Alexander.

Posted 5 months ago
We are adept, if occasionally embarrassed, at saying what we make of places - but we are far less good at saying what places make of us. For some time now it has seemed to me that the two questions we should ask of any strong landscape are these: firstly, what do I know when I am in this place that I can know nowhere else? And then, vainly, what does this place know of me that I cannot know of myself?

Robert MacfarlaneThe Old Ways: A Journey on Foot, Chapter 2. Path

Just started reading Robert Macfarlane’s beautifully written book about walking paths in Great Britain and I’m hooked. Too many travel/psycho-geographical books concentrate on telling about other places and people, cataloguing anecdotes and outward observation, but I’ve always found travelling an inner, essentially self-centered personal experience. Whenever I travel I ask myself: who am I here in this place? What does this place do to me? Macfarlane’s questions turn inward to the walker-writer: they resonate with the uncertain explorer, the Odyssean traveller who travels not to settle elsewhere, but to return home enriched from the exploration.

Besides this fundamental philosophical understanding of travel (and walking as travel), what attracted me to this book was a renewed interest in rural Great Britain. Funny, not since I was a teenager have I been so attracted to the idea of hiking in the Lake District, driving through the Scottish Highlands, and returning to the Cotswolds - my favourite part of England: the beautiful hills and fields of Warwickshire, Oxfordshire, Gloucestershire and the Chilterns where I spent a few years while at university.

When I moved to London I turned into a complete urban creature, seeking stimuli and conversations with the past in the web of the city. Maybe this book will give me the necessary enthusiasm to go walking in the country again.

Posted 6 months ago

What’s for dinner?

Glad you asked.

We have bacon-wrapped roast pheasant with a blueberry and juniper reduction, crushed potatoes with mustard, and a side of savoy cabbage, carrots and bacon tossed in white wine. 

After a canal-side walk this morning listening to Johnny Flynn and Glen Hansard, and an afternoon cuddled up under a blanket with Peter Ames Carlin’s new Bruce Springsteen biography (a really good read for consummate fans and newbies alike) I feel like the greyness of this chilly November day has been well and truly conquered.

Posted 6 months ago

Rainy morning, awful head cold. Planning Christmas presents, and then back to bed with a new book and some of this jam (<— click to play). 

Posted 6 months ago

Things that genuinely scare me

Snakes.
My family coming to harm.
Car crashes.
That time when I am pretty sure I saw a ghost.
That time when I know I heard one.
The things people are willing do to their bodies to feel alive. 
The Shining. 
The night when, aged 7, I walked in on my aunt watching a film in which a disembodied voice whispered: “Give me back my golden leg!”
Being alone, or, rather, being abandoned.
Unlearning all I have learnt. 
All diseases and physical pain.
Forgetting how to love.
Losing my sight. 
The remote possibility that there is life after death.
Climate change.
The recurring nightmare in which I’m on a train/bus and I realise I missed my stop and can’t get off. 
My mind, sometimes.
And, most of all,
Funny Games (both the original and the US reboot).

Posted 9 months ago

So we’re buying a flat on the 22nd floor in EC London. These are the views form the kitchen in the evening, and from the bedroom in the morning, respectively.

The building is a post-Bauhaus/pre-Brutalism high-rise, the work of German architect Carl Ludwig Franck, who designed various buildings of this kind in London in the 1940s-60s, both as a freelance and a member of the radical architecture group Tecton

It may not be everyone’s cup of tea (especially because it’s partly a local authority building, and suffers from the stigma of council estates) but we think it’s got style and a certain appeal. There’s some debate as to whether it - or its twin sister - features on the cover of The Streets’ album Original Pirate Material.

Because we may have views worthy of Don and Megan Draper’s Manhattan penthouse, but we’re keeping it real in a block that wouldn’t look out of place in The Wire.

Posted 9 months ago

“I am Isambard Kingdom Brunel. I am an engineer from the Victorian age, and I am here to recite some Shakespeare”, said the Northern Irish Knight of the Realm. Because London’s all about fine poetry, crap weather, industrial revolutions, class systems, and, most of all, exquisite contradictions.

So, last night was a heck of a party. Some of it was delightful, some of it cringeworthy; all of it just so accurately representative of the way my adoptive country sees itself. It was a fine show, and for the first time I felt a glint of excitement about this great big corporate monster of a thing that’s taken over our city.

Even more amazingly, the opening ceremony of the Olympics reminded me of all the reasons why I came here and why I stayed for so long. Truth is, I came here because of Kenneth Branagh. And because of Mark Rylance, the actor Branagh replaced in the ceremony when he was forced to pull out following a family tragedy. Talk about twists of fate: it was these two men who brought Shakespeare into my life; then theatre as a whole, and poetry, literature, cinema, and everything followed from there. They put down the cornerstones at base of my life as an adult. And then they forced me to come here and complete the rest: bricks, mortar, windows, facade, furniture. They provided the material to build me. 

London can be a stressful, harsh, depressing place to live. But last night at a great theatre party where minor and major celebrities were just hanging out, drinking free Pimm’s, cheering for Kenneth Branagh and the NHS (!?) and Team GB - and especially the parachuting Queen! - it all felt rather special.

Even better than that; BT and I cycled home - wind in our hair - across a deserted Waterloo Bridge, and caught sight of the lights and the skyline, the fireworks and the flags. Oh my, it was beautiful. An epiphany struck me: once upon a time a true Londoner was certified solely by the accident of having been born within hearing of the sound of the Bow bells. Nowadays London is something else, and after twelve years which were in equal parts exciting and maddening, I feel like a Londoner through and through. This is where I belong. 

2012 is the year I finished my PhD, and I may be about to embark on a proper, non-academic career. This week, between the celebrations of our third wedding anniversary and the beginning of the Olympics, BT and I purchased our first apartment together. It’s on the 22nd floor of an imposing, austere Bauhaus/brutalist building in EC1, and it has sweeping views over London that can only be described as awesome.

Turns out that Samuel Johnson’s overly-quoted line, “who is tired of London is tired of life” may actually be true. I have been so tired of so many things, but I think I have fallen in love with London again. I am not tired of life. Bring it on. More London. “More life.”