Posts tagged with “Darkness on the Edge of Town”

Posted 2 years ago

Tonight I’m playing one of the greatest Springsteen bootlegs very loud with the windows fully open - and singing along. (Hello, neighbours. Guess what? Tonight you put up with my noise!)

The raw power of this particular favourite is breath-taking; I love the dedication to Ron Kovic, and the fact that Bruce changes the lyrics halfway through as he’s singing (although I can’t exactly work out what he says instead of the album version “Where no one asks any questions/or looks too long in your face”):

Well, everybody’s got a secret Sonny
Something that they just can’t face
Some folks spend their whole lives trying to keep it
They carry it with them every step that they take

Till some day they just cut it loose
Cut it loose or let it drag ‘em down
You can drive all night long
And never make it (???)
To the darkness on the edge of town

(Well, this has been a useless post, but we can all do with some Bruce sometimes.)

Posted 2 years ago
And, as you know, as you can see, the song “The Promise” is not on Darkness. The band played it, and they knew it was great, knew that it might be the best song that Bruce Springsteen ever wrote. And it fit on the album, it was in many ways everything that Springsteen was trying to say. Only Springsteen could not let go of it. The song was too close to him. He has never been able to explain it any better than that. Some think The Promise is really about his fight with Appel for control of his own music. Some think it is about his fear of losing himself in success, his fear of losing what he thought was the best part of himself. Some think it is about his friends who got left behind.

In the end, of course, it doesn’t matter what The Promise means to Bruce Springsteen — doesn’t matter beyond trivia. Like all great songs, all great art, it only matters what it means to the person who accepts it. Springsteen did not put The Promise on Darkness, though for a while he played it at clubs. Then he stopped doing that too. By the time he released it in 1999 on 18 Tracks — the first version I first heard — it was a different song, more wistful, less bitter, more sad, less rebellious, all piano. And now, more than 30 years later, Bruce Springsteen releases an album of those songs that he recorded and left by the side of the road while making Darkness. There is the bar song “Rendezvous” and his raw version of “Because The Night” and the upbeat (if disturbing) “Fire” and a remarkable rock version of “Racing In The Streets” that sounds like it belongs on Born To Run (In this version, the car is a Ford, with a 383 — probably a Mercury Marauder Engine from the late 1950s). Springsteen is 61 now and he writes now that these songs are like old friends.

Joe Blogs: The Promise

Joe Posnanski, “America’s best baseball writer”, has written a fabulous piece on his blog about what The Promise and Darkness on the Edge of Town mean to him. It’s a really moving and heartwarming personal post, and it’s one of the best things I have ever read about Bruce’s music and the way it touches so many different people’s lives. Don’t miss it.

(via fuckyeahtheboss)

Posted 2 years ago

fuckyeahtheboss:

“My Father’s House” photograph by Eric Meola - featured in Darkness Visible: Photographs of Bruce Springsteen 1975-78 exhibition at Snap Galleries, London


via Backstreets.com: Springsteen News

Posted 3 years ago
Posted 3 years ago

Bruce Springsteen & The E Street Band perform “Prove it all night” in Phoenix, 8 July 1978, during the legendary Darkness on the Edge of Town tour.

You’ll want to watch the hell out of this. It’s got a two-and-a-half minutes long intro by Bruce on his Fender Esquire. And then some. This is just a taste of what the announced Darkness Anniversary box set might have in store.

I lack the words to explain. What. This. Does. To. Me.

Posted 3 years ago

via

Image from the Darkness on the Edge of Town cover photo shoot by Frank Stefanko

Posted 3 years ago
Bruce Springsteen book The Light In Darkness released October 2009
ORDER YOUR COPY HERE
The Light in Darkness
Bruce Springsteen’s Darkness on the Edge of Town broke new ground for The Boss in 1978. A counterpoint to the operatic elegance of Born to Run, the album was an angry, raw record that burst forth after a three-year hiatus.
Because of its darker tones, some might call Darkness a difficult album, but despite this, it’s a cherished gem for many.
Collecting stories and photos from hundreds of fans, The Light in Darkness celebrates this classic record, allowing readers to revisit the excitement of that moment when the needle found the grooves in that first cut and the thundering power of “Badlands” shook across the hi-fi for the very first time. Or the uninitiated, but soon-to-be-converted teenager, brought along by friends and finding salvation at one of the legendary three-plus hour concerts - shows that embodied all the manic fury of a revival meeting.
The book is also for those more recent converts to The Boss who may have stumbled across a dusty bootleg in a used record store - discovering the magic of the Agora or the Winterland shows.
Finally, The Light in Darkness is for those who never gave Bruce’s fourth album much consideration; those more partial to the high-polished sounds of Born to Run or the stadium-rousing choruses of Born in the U.S.A. For the skeptics, just read the tales of who struggle with the dark and trembling frustration of “Something in the Night,” the open-road emptiness of “Racing in the Street,” and the too-faraway hope of “The Promised Land.” A troubling album indeed. But the passion, the connection, the thrill of the fans as they explore this classic record will make a convert of anyone.
The Three-Year Wait It was a long wait. From the time Born to Run came out until the release of Darkness on the Edge of Town, fans had to suffer through a three-year hiatus, a lifetime for a musician to be off the radar back then.
And in the days before the Internet and MTV, Bruce’s devotees often had no idea what was taking him so long, and little means to find out. They resorted to scouring the pages of Rolling Stone and Creem magazines for any mention of Springsteen, any hint or clue about when the new record would be released. And when that produced no results, they turned to prayer.
We all know now that legal wrangling with his first manager, Mike Appel, kept a new record off the shelves for those three years. When Bruce finally came out victorious and replaced Appel with music writer Jon Landau, the stage was set for the next record to be released. But few would anticipate the frustration that had built up during those years, anger that Springsteen would channel into the new album.
The Light in Darkness shares the stories of fans coming to grips with this new record and this very different sound from The Boss, finding that Bruce’s struggles and frustrations often mirrored their own battles in life. A frayed relationship with a father, a body made sore with factory work, or the suffocating fear of being trapped in the badlands, fans have lived the stories Bruce tells on Darkness - the album is part of their history, a history they share in this book.
Springsteen Live 1978 From the Palladium in New York to Detroit’s Cobo Hall, from the famed Winterland to the year’s final show at Cleveland’s Richfield Coliseum, Springsteen’s 1978 tour is legendary.
Bruce, who was already famous for his incredible shows, pioneered a whole new kind of concert experience on this tour. Just the audience, Bruce and the E Street Band for a marathon three-plus hours, with an intermission in the middle just long enough to let the audience catch their breath. The Light in Darkness brings these shows to life through the testimony of those who were there, concerts that can still be heard through the magic of bootlegging. The stories fans tell from those electrifying 1978 shows only increases the power of hearing these coveted, semi-legal tapes still circulating today.
The Darkness tour also marked the last time many would get to see The Boss in small concert halls, as Bruce’s exploding popularity forced him to trade up to hockey arenas during several stops on the tour. Stadiums would soon follow. Today, many fans lucky enough to have attended the Darkness tour are glad they did whatever it took to land a ticket, a memory they can still cherish as they now watch Bruce from the nosebleeds.
Over 200 Photos The Light in Darkness features stunning photography from the Darkness tour. With over 200 photos taken by dozens of photographers, many of them never before published, this is a book you’ll come back to time and time again.
Many notable Springsteen-era photographers contributed to the volume, including:
James Shive 
P. Jay Plutzer 
Lynn Goldsmith 
Peter Howes 
Anastasia Pantsios 
Mark Wyville 
Cliff Breining 
Lawrence Kirsch

Bruce Springsteen book The Light In Darkness released October 2009

ORDER YOUR COPY HERE

The Light in Darkness

Bruce Springsteen’s Darkness on the Edge of Town broke new ground for The Boss in 1978. A counterpoint to the operatic elegance of Born to Run, the album was an angry, raw record that burst forth after a three-year hiatus.

Because of its darker tones, some might call Darkness a difficult album, but despite this, it’s a cherished gem for many.

Collecting stories and photos from hundreds of fans, The Light in Darkness celebrates this classic record, allowing readers to revisit the excitement of that moment when the needle found the grooves in that first cut and the thundering power of “Badlands” shook across the hi-fi for the very first time. Or the uninitiated, but soon-to-be-converted teenager, brought along by friends and finding salvation at one of the legendary three-plus hour concerts - shows that embodied all the manic fury of a revival meeting.

The book is also for those more recent converts to The Boss who may have stumbled across a dusty bootleg in a used record store - discovering the magic of the Agora or the Winterland shows.

Finally, The Light in Darkness is for those who never gave Bruce’s fourth album much consideration; those more partial to the high-polished sounds of Born to Run or the stadium-rousing choruses of Born in the U.S.A. For the skeptics, just read the tales of who struggle with the dark and trembling frustration of “Something in the Night,” the open-road emptiness of “Racing in the Street,” and the too-faraway hope of “The Promised Land.” A troubling album indeed. But the passion, the connection, the thrill of the fans as they explore this classic record will make a convert of anyone.

The Three-Year Wait
It was a long wait. From the time Born to Run came out until the release of Darkness on the Edge of Town, fans had to suffer through a three-year hiatus, a lifetime for a musician to be off the radar back then.

And in the days before the Internet and MTV, Bruce’s devotees often had no idea what was taking him so long, and little means to find out. They resorted to scouring the pages of Rolling Stone and Creem magazines for any mention of Springsteen, any hint or clue about when the new record would be released. And when that produced no results, they turned to prayer.

We all know now that legal wrangling with his first manager, Mike Appel, kept a new record off the shelves for those three years. When Bruce finally came out victorious and replaced Appel with music writer Jon Landau, the stage was set for the next record to be released. But few would anticipate the frustration that had built up during those years, anger that Springsteen would channel into the new album.

The Light in Darkness shares the stories of fans coming to grips with this new record and this very different sound from The Boss, finding that Bruce’s struggles and frustrations often mirrored their own battles in life. A frayed relationship with a father, a body made sore with factory work, or the suffocating fear of being trapped in the badlands, fans have lived the stories Bruce tells on Darkness - the album is part of their history, a history they share in this book.

Springsteen Live 1978
From the Palladium in New York to Detroit’s Cobo Hall, from the famed Winterland to the year’s final show at Cleveland’s Richfield Coliseum, Springsteen’s 1978 tour is legendary.

Bruce, who was already famous for his incredible shows, pioneered a whole new kind of concert experience on this tour. Just the audience, Bruce and the E Street Band for a marathon three-plus hours, with an intermission in the middle just long enough to let the audience catch their breath. The Light in Darkness brings these shows to life through the testimony of those who were there, concerts that can still be heard through the magic of bootlegging. The stories fans tell from those electrifying 1978 shows only increases the power of hearing these coveted, semi-legal tapes still circulating today.

The Darkness tour also marked the last time many would get to see The Boss in small concert halls, as Bruce’s exploding popularity forced him to trade up to hockey arenas during several stops on the tour. Stadiums would soon follow. Today, many fans lucky enough to have attended the Darkness tour are glad they did whatever it took to land a ticket, a memory they can still cherish as they now watch Bruce from the nosebleeds.

Over 200 Photos
The Light in Darkness features stunning photography from the Darkness tour. With over 200 photos taken by dozens of photographers, many of them never before published, this is a book you’ll come back to time and time again.

Many notable Springsteen-era photographers contributed to the volume, including:

  • James Shive
  • P. Jay Plutzer
  • Lynn Goldsmith
  • Peter Howes
  • Anastasia Pantsios
  • Mark Wyville
  • Cliff Breining
  • Lawrence Kirsch
Posted 4 years ago

(For byronic)

quatsch:

I officially LOVE Darkness on the Edge of Town. I like every track with the exception of “Adam Raised a Cain”. I have to skip it. It’s a good song, but I feel it doesn’t belong with the rest. Anyway, it’s a great album, almost intimate, without any big Bruce-like anthems and I honesty don’t mind.

Oh, I am so pleased! It’s my favourite Bruce album. ‘Racing’, ‘Prove It’ and ‘Badlands’ are tunes of such magnificent perfection - the sound, the words, everything fits. I think it’s the album in which he really started to grow up as a musician and lyricist, and it kind of lays the ground for much that followed it - The River, Nebraska, even Tom Joad. ‘Intimate’ is a very good word for how it feels.

‘Adam Raised a Cain’ is a song Bruce famously wrote about his fights with his father as a young man. I think it does makes sense in the context of an album centered around the theme of wanting to escape the place where you were born, and feel don’t belong to, but having to recognise that ultimately you can’t ever get it out of your system - that’s who you are, that place, those people, those thwarted amibtions and frustrated dreams, and hard as you try you’ll always be back.

I’ve been listening to Dylan all day, but now I’m putting this on :)