byronic :: mad bad and dangerous to know

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zootime-:

“Keaton was not only beautiful in a classic, stoic way—he had also to his credit—especially in the two-reel shorts—the body of an athlete, the flexibility of a tantric genius—the peerless ass of something painted. Keaton, in the silents, radiated sex. And it was to his credit—still is—that he does so seamlessly: his was a modest sexuality, whose understatement called attention to the thing it sought to hide. In this case, a perfect body coupled with a sensitive, downtrodden spirit, a somewhat quirkier version of the Everyman, whose hour-and-a-half long documentaries of public humiliation were the joy of millions back in the day—that is, the millions who weren’t just watching it for his ass” read the full article here

YES.

zootime-:

“Keaton was not only beautiful in a classic, stoic way—he had also to his credit—especially in the two-reel shorts—the body of an athlete, the flexibility of a tantric genius—the peerless ass of something painted. Keaton, in the silents, radiated sex. And it was to his credit—still is—that he does so seamlessly: his was a modest sexuality, whose understatement called attention to the thing it sought to hide. In this case, a perfect body coupled with a sensitive, downtrodden spirit, a somewhat quirkier version of the Everyman, whose hour-and-a-half long documentaries of public humiliation were the joy of millions back in the day—that is, the millions who weren’t just watching it for his ass” read the full article here

YES.

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Posted on Monday, August 29, 2011. Tagged with: buster keatonactorsBuster lovesilent movies
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    I would apply this also to Charlie Chaplin. The man was well fit:
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    I will admit to finding him gloriously attractive.
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byronic :: mad bad and dangerous to know About Me
BA | MA | PhD
Italian, Londoner.
Ex theatre director.
Lecturer in film, literature, and cultural studies.
Beginner in the film industry.

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Byronic
[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.


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