byronic :: mad bad and dangerous to know

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ewilcox:

D’Angelo Was Right (The Past Is Always With Us)

They took away your tower, sent you downto tighten all the loose screws in the Pit.It stung, but hey, they’re family—that shitmeans something, don’t it? Count the money, clownaround with no one, make that orange couchyour own. These kids don’t have a clue what gamethey’re playing—they don’t know the rules, they camebecause they had no choice. At night, they crouchin front of doors that may or may not leadstraight to the stash. Their feet are cold. There’s nota goddamn reason for this cycle: shotsand pain; betrayal; truce; a hungry greedfor power—more of it—driving these callson payphones late at night. You try to tellthe kids about the pawns, but there’s a smelllike endings in the air. Like fall. Brick wallsbehind you, bars in front: they tell you tobe strong, to bear the load for family, thatf-word fat with lies. Yeah, you’ll go to batfor them, as long as they stay straight with you: Where’s Wallace at? Where’s the boy, String? A dimlightbulb blinks out. That shit caught up to him. 
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ewilcox:

D’Angelo Was Right (The Past Is Always With Us)


They took away your tower, sent you down
to tighten all the loose screws in the Pit.
It stung, but hey, they’re family—that shit
means something, don’t it? Count the money, clown

around with no one, make that orange couch
your own. These kids don’t have a clue what game
they’re playing—they don’t know the rules, they came
because they had no choice. At night, they crouch

in front of doors that may or may not lead
straight to the stash. Their feet are cold. There’s not
a goddamn reason for this cycle: shots
and pain; betrayal; truce; a hungry greed

for power—more of it—driving these calls
on payphones late at night. You try to tell
the kids about the pawns, but there’s a smell
like endings in the air. Like fall. Brick walls

behind you, bars in front: they tell you to
be strong, to bear the load for family, that
f-word fat with lies. Yeah, you’ll go to bat
for them, as long as they stay straight with you: 

Where’s Wallace at? Where’s the boy, String? A dim
lightbulb blinks out. That shit caught up to him. 

via ecantwellView Comments
Posted on Sunday, July 24, 2011. Tagged with: the wire poetryd'angeloelizabeth wilcoxpoemsthe wired'angelo barksdale
65
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  3. thewaterorthewave reblogged this from ecantwell
  4. quatsch reblogged this from ecantwell and added:
    Wonderful.
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    Made me day
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  15. beenthinking reblogged this from ecantwell and added:
    poems non ironically. I love them earnestly. And...worked in Wallace! Brava!
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  20. tragos reblogged this from byronic and added:
    Tragos HQ will keep endorsing and reblogging these poems as ewilcox writes them.
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  35. courtsomething reblogged this from ecantwell and added:
    I will always want more of these.
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  49. nataliekane said: I love these so much! Seriously good.
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byronic :: mad bad and dangerous to know About Me
BA | MA | PhD
Italian, Londoner.
Ex theatre director.
Lecturer in film, literature, and cultural studies.
Beginner in the film industry.

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Byronic
[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.


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