byronic :: mad bad and dangerous to know

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Guys in Ties #88 - Robert Mitchum, photographed at the Cannes Film Festival, 1954
“Mitchum is regarded by critics as one of the finest actors of the Golden  Age of Hollywood. Roger Ebert called him ‘the soul of film  noir’. Mitchum himself, however, was self-effacing; in an interview  with Barry Norman for the BBC about his  contribution to cinema, Mitchum stopped Norman in mid flow and in his  typical phlegmatic style said, “Look! I have two kinds of acting. One on  a horse and one off a horse. That’s it.”
He had also succeeded in annoying some of his fellow actors by voicing  his puzzlement at those who viewed the profession as challenging and  hard work, saying that acting was actually very simple and that his job  was to “show up on time, know his lines, hit his marks, and go home.” What possibly annoyed the opposition was how very easy he made it all  seem.” * Zoom

Guys in Ties #88 - Robert Mitchum, photographed at the Cannes Film Festival, 1954

“Mitchum is regarded by critics as one of the finest actors of the Golden Age of Hollywood. Roger Ebert called him ‘the soul of film noir’. Mitchum himself, however, was self-effacing; in an interview with Barry Norman for the BBC about his contribution to cinema, Mitchum stopped Norman in mid flow and in his typical phlegmatic style said, “Look! I have two kinds of acting. One on a horse and one off a horse. That’s it.”

He had also succeeded in annoying some of his fellow actors by voicing his puzzlement at those who viewed the profession as challenging and hard work, saying that acting was actually very simple and that his job was to “show up on time, know his lines, hit his marks, and go home.” What possibly annoyed the opposition was how very easy he made it all seem.” *

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Posted on Sunday, April 11, 2010. Tagged with: Robert Mitchumactingclassic Hollywoodfilm noirGuys in ties
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byronic :: mad bad and dangerous to know About Me
BA | MA | PhD
Italian, Londoner.
Ex theatre director.
Lecturer in film, literature, and cultural studies.
Beginner in the film industry.

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Byronic
[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.


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