byronic :: mad bad and dangerous to know

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And here, just to lock our minds on to the brain of truly eccentric desire, is a true story. Only a few days ago, as Colonel Muammar Gaddafi faced the wrath of his own people, he met with an old Arab acquaintance and spent 20 minutes out of four hours asking him if he knew of a good surgeon to lift his face. This is – need I say it about this man? – a true story. The old boy looked bad, sagging face, bloated, simply “magnoon” (mad), a comedy actor who had turned to serious tragedy in his last days, desperate for the last make-up lady, the final knock on the theatre door.

[…] Not exactly King Lear, who would “do such things – what they are, yet I know not, but they shall be the terrors of the earth”; more like another dictator in a different bunker, summoning up non-existent armies to save him in his capital, ultimately blaming his own people for his calamity. But forget Hitler. Gaddafi was in a class of his own, Mickey Mouse and Prophet, Batman and Clark Gable and Anthony Quinn playing Omar Mukhtar in Lion of the Desert, Nero and Mussolini (the 1920s version) and, inevitably – the greatest actor of them all – Muammar Gaddafi.
The excellent Robert Fisk on the “sub-Shakespearean farce” of Gaddafi’s life and hopefully approaching demise - via The Independent
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Posted on Wednesday, February 23, 2011. Tagged with: My kingdom for a faceliftGaddafiLibyatheatredictatorsRobert FiskThe IndependentFirst as Tragedy Then as Farcemass-murdering fuckheads
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byronic :: mad bad and dangerous to know About Me
BA | MA | PhD
Italian, Londoner.
Ex theatre director.
Lecturer in film, literature, and cultural studies.
Beginner in the film industry.

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Byronic
[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.


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