byronic :: mad bad and dangerous to know

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Danny Boyle’s production of Frankenstein is currently on at the National Theatre. It stars Benedict Cumberbatch and Jonny Lee Miller, alternating roles as Victor Frankenstein and the Creature.
This is a time-honoured tradition in British theatre: for instance, Laurence Olivier and John Gielgud famously alternated as Romeo/Mercutio in the 1935 production of Shakespeare’s Romeo & Juliet at the New Theatre, London, directed by Gielgud himself - albeit not without trouble.
Needless to say I’m DYING to see Cumberbatch not so much in the Frankenstein role - in which we can safely assume he’ll be excellent - but rather as the Creature. The Creature being the real core of the story, if we follow Mary Shelley’s tremendous original text.
Naturally, the National Theatre show sold out minutes after going on sale, and I haven’t yet been able to get a ticket. I’m going to try and queue for a day ticket/returns (a time-honoured tradition for me, in my theatre-going days), but for those of you who can’t get to London (or don’t fancy braving the crazy Cumberbatch fans, and/or the fierce elderly people who spend their early mornings outside the National Theatre to get in on a day ticket) the NT will broadcast the show live in cinemas worldwide. And they are going to do so twice, so that people can get a chance to experience both performances. Schedule as follows:
17th MarchBenedict Cumberbatch (Creature), Jonny Lee Miller (Frankenstein)24th MarchBenedict Cumberbatch (Frankenstein), Jonny Lee Miller (Creature)
Venues can be found here. 

Update: Guardian article about doubles in theatre.

Danny Boyle’s production of Frankenstein is currently on at the National Theatre. It stars Benedict Cumberbatch and Jonny Lee Miller, alternating roles as Victor Frankenstein and the Creature.

This is a time-honoured tradition in British theatre: for instance, Laurence Olivier and John Gielgud famously alternated as Romeo/Mercutio in the 1935 production of Shakespeare’s Romeo & Juliet at the New Theatre, London, directed by Gielgud himself - albeit not without trouble.

Needless to say I’m DYING to see Cumberbatch not so much in the Frankenstein role - in which we can safely assume he’ll be excellent - but rather as the Creature. The Creature being the real core of the story, if we follow Mary Shelley’s tremendous original text.

Naturally, the National Theatre show sold out minutes after going on sale, and I haven’t yet been able to get a ticket. I’m going to try and queue for a day ticket/returns (a time-honoured tradition for me, in my theatre-going days), but for those of you who can’t get to London (or don’t fancy braving the crazy Cumberbatch fans, and/or the fierce elderly people who spend their early mornings outside the National Theatre to get in on a day ticket) the NT will broadcast the show live in cinemas worldwide. And they are going to do so twice, so that people can get a chance to experience both performances. Schedule as follows:

17th March
Benedict Cumberbatch (Creature), Jonny Lee Miller (Frankenstein)
24th March
Benedict Cumberbatch (Frankenstein), Jonny Lee Miller (Creature)

Venues can be found here. 

Update: Guardian article about doubles in theatre.

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Posted on Thursday, February 10, 2011. Tagged with: FrankensteinBenedict CumberbatchJonny Lee MillerDanny BoyleMary ShelleytheatreLondonstage
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  4. your-truecolors reblogged this from byronic
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  6. mimsyhope reblogged this from byronic and added:
    I really want to see this! Apparently it is incredible! If you have money- read the review and GO SEE IT!!!!!!!
  7. theladymargaery likes this
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  16. zooeyglass reblogged this from byronic and added:
    I’ll be road tripping in the USA by then, but I’m sure there’ll be a DVD or something.
  17. mimesandpunishment likes this
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  20. crieffandcrowley reblogged this from byronic and added:
    Damn, I can’t wait.
  21. goo22 likes this
  22. cidindon said: …worldwide, except some nations…
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  28. tragos said: yes. i have a 2nd chance.
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  31. byronic posted this

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byronic :: mad bad and dangerous to know About Me
BA | MA | PhD
Italian, Londoner.
Ex theatre director.
Lecturer in film, literature, and cultural studies.
Beginner in the film industry.

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Byronic
[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.


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