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newyorker:

From the Film Set of “Coriolanus”

This week Anthony Lane reviews Ralph Fiennes’s film adaption of Shakespeare’s “Coriolanus.” The photographer Kalpesh Lathigra took the production as an opportunity to shoot two different projects—although, he admitted, he hadn’t read the play. “Julius Caesar was my Shakespeare,” he told me. The first project, was a more conventional series of production stills. The second was a series of large-format photographs, shot with a 5x4 camera, “where the actors are not the prominent players on stage but merely part of the wider tableaux of the set,” Lathigra said.

- For more of Lathigra’s photographs from the set: http://nyr.kr/wjW7fK
via newyorkerView Comments
Posted on Monday, January 23, 2012. Tagged with: filmblackandwhitecoriolanusphotophotographyshakespearemoviesRalph Fiennes
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    Just got back from seeing Coriolanus…tied with Midnight in Paris for my favorite...so...
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byronic :: mad bad and dangerous to know About Me
I'm a woman who loves films, baseball, whales, good food, and guys in ties.
I teach literature, film and cultural studies at university.
I worship at the Church of Springsteen.
Sometimes I write reviews.
One day soon you may call me Doctor.

Byronic
[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.

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