![Friending Aaron Sorkin: screenwriter of The Social Network talks to Lynn Hirschberg about the film: Wmagazine.com
[In a nutshell, here’s reason number one why Sorkin is Holloywood’s greatest living script writer: “Throughout his work Sorkin’s dialogue sounds like the rhythms were lifted from a fast-talking Thirties screwball comedy, but the content is something entirely less frothy. “]](http://24.media.tumblr.com/tumblr_l9lvx4dzrG1qz762fo1_500.jpg)
[In a nutshell, here’s reason number one why Sorkin is Holloywood’s greatest living script writer: “Throughout his work Sorkin’s dialogue sounds like the rhythms were lifted from a fast-talking Thirties screwball comedy, but the content is something entirely less frothy. “]
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Italian, Londoner.
Ex theatre director.
Lecturer in film, literature, and cultural studies.
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[bai'ra:-nik] 1. Characteristic of, or after the manner of Byron or his poetry. 2. quasi-n. pl. [after Philippics.] Declamatory utterances or invectives in the style of Byron. 3. Byronic hero: prominent literary character type of the Romantic period, whose characteristics include: extraordinary intelligence and perception; high level of education and intellectual prowess; arrogance; cunning and manipulation; emotional conflictedness; moodiness; self-criticism and introspection; self-destructive behaviour; aesthetic sophistication; dark mysterious beauty; powers of attraction; seductiveness and sexual perversion; world-weariness; distaste for social institutions and norms; disrespect of social ranks; being an outcast, an outlaw, or an exile.
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