Cento film italiani da salvare →
Dal Corriere della Sera. Ma che significato hanno le date dal 1942 al 1978? Ma Moretti non c’è? Per me ‘Ecce Bombo’ ci stava. E dove si firma per la petizione per far diventare il cinema materia di studio?
Normally when you see a black man or a woman president an asteroid is about to...– Jon Stewart at the 80th Oscars
The interview: Daniel Day-Lewis | Features |... →
Thou be’est a fine man, if e’er I saw one, mr Day-Lewis…
Werner Herzog Official Website →
From West Wing to the real thing |The Guardian →
Hate to say I told you so! But really, when are we going to get a candidate modelled on President Jed Bartlet?
Observations on film art and FILM ART : Hands (and... →
Notes on intensified continuity as a strategy for setting up relationships in ‘There Will Be Blood’ - from Prof. David Bordwell’s blog. A link for film geeks, courtesy of Kohai.
gapingvoid: "cartoons drawn on the back of... →
A cool blog from a cool fella.
Indiewire Interview: Werner Herzog →
‘As I often say about my films, you can trust your eyes again’ - a gem of an interview from one of my newly favourite directors. Never have I heard anybody speak so clearly as Herzog, never have I met a director with such visionary clarity and cinematic mission. Wonderful.
Never trust a man who, when left alone with a tea cosy, doesn’t try it on.– Billy Connolly
Visions of Johanna
Ain’t it just like the night to play tricks when you’re tryin’ to be so quiet? We sit here stranded, though we’re all doin’ our best to deny it And Louise holds a handful of rain, temptin’ you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there’s nothing, really...
Maddy Costa on The Hour We Knew Nothing of Each... →
(Or, ‘A Certain Mr Hope Quotes Me’) The show opens tomorrow.